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with the voice, slow, quick; with a trumpet, which a servant who was with me sounded; with a pistol, and a mus- quet, and always found, agreeable to the doctrine of echos, that the more quick and violent the percussion of the air was, the more numerous were the repetitions; which upon firing the musquet, amount- ed to upwards of fifty, of which the strength seemed regularly to diminish, and the distance to become more remote.
Such a musical canon might be con- trived for one fine voice here, according to father Kircher's method, as would have all the effect of two, three, and even four voices. One blow of a ham- mer produced a very good imitation of an ingenious and practised footman's knock at a London door, on a visiting night. A single ha! became a long horse-laugh; and a forced note, or a sound overblown in the trumpet, became the most ridiculous and laughable noise imaginable.
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