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The Pordenone theatre is used as a play- house for tragedies and comedies; and the Capranica for burlettas, or comic operas.
There are no public spectacles allowed in Rome, except during carnival time which lasts from the seventh of January to Ash-Wednesday; nor are any women ever suffered to appear upon the stage, the female characters being represented by eunuchs, and frequently so well, from their delicacy of voice and figure, as to deceive persons unacquainted with this prohibition.
Rome is the post of honour for com- posers, the Romans being the most fastidi- ous judges of music in Italy. There is like- wise in this city more cabal than elsewhere, and party runs higher. It is generally supposed, that a composer or performer who is successful at Rome, has nothing to fear from the severity of critics in other places. At the opening of an opera, the clamour or acclamation of the com-
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